my love is building a building
around you, a frail slippery
house, a strong fragile house
(beginning at the singular beginning
of your smile)a skilful uncouth
prison, a precise clumsy
prison(building thatandthis into Thus,
Around the reckless magic of your mouth)
my love is building a magic, a discrete
tower of magic and(as i guess)
when Farmer Death(whom fairies hate)shall
crumble the mouth-flower fleet
He'll not my tower,
laborious, casual
where the surrounded smile
hangs
breathless
ee cummings
Notes on "my love is building a building"
"my love is building a building" was probably written for Elaine Thayer, the wife of his
patron Professor Scofield Thayer, with whom Cummings was having an illicit love affair around 1919, along with
E. E. Cummings' (1894 - 1962) writing and approach
represented a new departure in poetry. He first flourished in the intellectually innovative and daring world of the
1920s. His work has never been fully appreciated by critics, but has an avid following among both connoisseurs and
"ordinary" folk, because his poems touch people directly, especially young people.
The modern era was born in the 1920s, out of the ruins
and desolation of World War I. The war smashed more than cities and people. It smashed Victorian conventions and class
distinctions. Suddenly, people were not afraid to speak and write about sex as something enjoyable and beautiful. This
was the era of James Joyce's Ulysses and Lawrence's Lady Chatterley's Lover, but also, especially in America, the era of
Scott Fitzgerald's "Tender is the Night." A time of daring and romance in literature.
His poetry is informed by his unique philosophy of life and
art. Cummings would laugh at most of the pedantic and trite dissections of his work by "objective" critics. Cummings had
nothing against science and logic, but he didn't think it applied to feelings. He was intensely against regimentation
and conventional thinking. His rebellion and unconventionality were symbolized superficially by his refusal to use capital
letters in his poems, but they went far beyond that.
Typography and layout of the poem were often very
important to Cummings, who was also an artist. Please note that we will not always be able to be faithful to the
original typography, because of limitations of the medium. Like some other modern poets, ee cummings' often
conveyed images and feelings by indirect allusions that would make readers see the images and feel the feelings
he was feeling, though he also made skilful use of poetic conventions. He also had the gift of making the English
language do unexpected and wondrous things, a gift that has made great poetry since the time of Shakespeare and
before.
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