Belovëd, thou hast brought me many flowers
Plucked in the garden, all the summer through,
And winter, and it seemed as if they grew
In this close room, nor missed the sun and showers.
So, in the like name of that love of ours,
Take back these thoughts which here unfolded too,
And which on warm and cold days I withdrew
From my heart’s ground. Indeed, those beds and bowers
Be overgrown with bitter weeds and rue,
And wait thy weeding; yet here’s eglantine,
Here’s ivy!—take them, as I used to do
Thy flowers, and keep them where they shall not pine.
Instruct thine eyes to keep their colours true,
And tell thy soul, their roots are left in mine.
Elizabeth Barrett Browning
Notes on "Beloved, thou hast brought me many flowers"
This is poem number XLIV (44) of Sonnets from the
Portuguese, written by Elizabeth Barrett for Robert Browning in the 1840s, during their courtship. The last sonnet of
the Sonnets from the Portuguese ends with a reference to flowers, perhaps inevitable in love poetry. But these flowers
are metaphors for spiritual gifts which Elizabeth is now repaying. Below, a photo of eglantine, mentioned in the poem.
Elizabeth Barrett Browning (1806-1861) is now best remembered for her
"Sonnets from the Portuguese," a cycle of sonnets written during her courtship with Robert Browning.
In fact however, she was an accomplished poet before she met Browning.
Most of her poems were not about romantic love.
They were topical poems about political issues such as child labor, slavery and the Italian national cause.
Elizabeth Barrett was a "hopeless" invalid and recluse, six years older than Robert Browning. They were happily married and had a son.
The fame of the poets, and the fairy-tale story of the girl who was thought to be doomed to be an old maid,
rescued from a loveless existence and brought back to life and
the world by a gallant suitor, kindled the imagination of the public.
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